The Evolution of Thespo: 1999-2011
Born out of India’s most senior theatre company - Theatre Group, Thespo is a theatre festival held every December. Apart from the plays, Thespo features numerous stand-up routines, monologues, poetry readings, live bands, film screenings, platform performances and workshops.
Thespis, the Greek poet, was the pioneer in the art of using spoken dialogue in an age when dramatic language was made of choruses and verses. He is considered the father of modern drama and his followers have since been called Thespians. Theatre Group Bombay and Q Theatre Productions (QTP) thought it appropriate to name the pioneering festival for theatre by youth - ‘Thespo’.
Thespo 1(1999)
Thespo’s first avatar was in December 1999 as a one-act play competition with an awards presentation, at the Sophia Bhaba Hall in Bombay. Ruia College’s ‘Saadia’ reigned supreme, in spite of stiff competition from 15 other plays. The Lifetime Achievement Award was presented to Deryck Jeffereis.
Thespo 2 (2000)
Thespo 2000 featured four full-length plays from across Mumbai. 61 colleges and more than 15 entries led to four days of quality youth theatre. Thespo was labeled India’s premiere youth festival. The Lifetime Achievement Award was presented to the late Pearl Padamsee and photographer Madhu Gadkari.
Thespo 3 (2001)
Classics from Brecht and Chekhov, adaptations from both films and novels, and some pieces of new writing composed Thespo III. For the first time Thespo expanded beyond Bombay, thanks to Harlequin Entertainment, to embrace the city of Bangalore in a nine day festival. Subsequently, the winning teams from Bangalore performed at Thespo III in Bombay notably winning a Thespo for Best Actor. The Lifetime Achievement Award was presented to Gerson da Cunha for his contribution as an actor.
Thespo 4 (2002)

Thespo 5 (2003)
For the first time ever, Thespo made the trip to New Delhi – and invited plays from there, while plays from Mumbai traveled to participate in Thespo Bangalore. Thespo’s fifth year was a three-city and four-language 11-day extravaganza, with the Lifetime Achievement Award being presented to actor Zohra Segal.
Thespo 6 (2004)
Thespo Delhi was born as a three-day fest. Bangalore grew to six days and moved to RangaShankara. Thespo became a three-week festival spread over three cities. Plays were in English, Hindi, Marathi, Marwari and Kannada. All in all 26 plays (12 full length & 14 short plays) were performed. Workshops were held in design, Sanskrit theatre and many other disciplines.

In an attempt to cover allied arts, the Thespo Poster Design Competition was created to give young art directors the opportunity to design posters for theatre productions. Training was taken to a new level with ‘Work It Out’ - a series of mentoring workshops where the performing groups got to interact with a professional director and writer over two days. Screening was expanded to Calcutta and Pune. The festival was held over 12 days in Bombay and Bangalore. The Lifetime Achievement Award was presented posthumously to Hosi Vasunia for his dedication to the theatre as an actor and producer.
Thespo 8 (2006)
Thespo spread its wings by conducting some of its pre-festival activities in cities such as Mysore, Chennai, Kolkota, Hyderabad, Delhi and Ahmedabad, in addition to its regular homes of Bombay and Bangalore. The festival featured five plays from these two cities. The Lifetime Achievement Award was presented to Girish Karnad for playwriting.
Thespo 9 (2007)
Thespo 9 saw the initiation of Radio Plays and Documentary on Theatre. The national involvement came with a short play from Delhi and a full length play from Bangalore. The workshops included Master Puppeteer Dadi Padumjee from Delhi and Ahmedabadi director Saumya Joshi. The Lifetime Achievement Award was presented to Partap Sharma for his contribution as a playwright and actor.
Thespo X (2008)
In 2008, Thespo X introduced a theatre
photography exhibition for the first time ever along with international
participation in terms of workshops being conducted by theatre professionals
from England. 2008 also saw Thespo become a two-venue festival by premiering at
Prithvi Theatre and moving to NCPA Experimental. In addition to its all India
audition, Thespo for the first time auditioned a play from New York and
collaborated with the IIT Kanpur cultural festival. The Lifetime Achievement
Award was presented to Sam Kerawalla.

Thespo 12 (2010)
The twelfth edition turned out to be a landmark festival for
Thespo. A new performance section called the Thespo Fringe was introduced and
was incredibly successful. Converting a rehearsal room into a performing space
allowed the audience to access the words and the actors' performances
unhindered by amplified sound or contrived lighting. It was raw and
live. The tie up with UK's Paines Plough Theatre was also extremely
successful. The various workshops in movement, working with materials, writing
and a whole lot more, ensured vibrant training opportunities for all who
attended. Ravi Jain of Toronto's Why Not Theatre also came down and did a four
session workshop about actors and the mask, which truly opened the minds of
participants. Thespo 12 would not have been possible without the support
of Friends Of Thespo – a fund raising initiative
undertaken to encourage a large number of small contributions that helped us
raise the monies required for this year. In the absence of any corporate
support, friends, family members, actors, writers, directors, school teachers,
students, etc. all chipped in helped us go on for one more year.Thespo 13 (2011)

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